The unique dual-pivot design of this precision tonearm provides unrivaled tracking, transparency, and resolution.

The Quintet Blue is a very homogeneous cartridge whose sound image will tend to more smooth reproduction compared to Quintet Red and moderate dynamic strength compared to Quintet Bronze.

It features a Nude Elliptical diamond mounted on an aluminium cantilever.

The Quintet Blue will bring more space, depth and detail into the sound and is a very good choice for any kind of music, especially rhythmic.

Listening to analogue records has grown in popularity enormously over the last couple of years. This trend has enticed a lot of manufacturers from far and wide to enter the turntable game. These new players are trying to get a piece of the cake with plastic, features, low quality and cheap prices. They forget what makes a real turntable – sound quality! Only with high quality components and precision can you extract all the detail from the micro-grooves of your record. Plastic, lightweight platters, flimsy tonearms and low quality cabling with primitive cartridges are not suited for real HiFi grade turntables.

The success story of the legendary TRA 9 tonearm from Transrotor has already been written. The idea of ​​bringing another tonearm model onto the market for discerning record listeners was already germinating back then. This has been achieved perfectly with the new, solid and precisely manufactured TRA STUDIO (TRA 9S) tonearm.

The Quintet Bronze moves into the higher league of the Quintets.

The slim profile of its Nude Fine Line diamond stylus will track even the highest frequency information, making it a must for discerning listeners. Additionally its larger footprint ensures reduced distortion and record wear. 

The sound will be very evenhanded with respect to all aspects. Classical music will be reproduced with power and open space around each of the instruments.

All types of music will be conveyed with the highest accuracy, precision and dynamics.

Listening to analogue records has grown in popularity enormously over the last couple of years. This trend has enticed a lot of manufacturers from far and wide to enter the turntable game. These new players are trying to get a piece of the cake with plastic, features, low quality and cheap prices. They forget what makes a real turntable – sound quality! Only with high quality components and precision can you extract all the detail from the micro-grooves of your record. Plastic, lightweight platters, flimsy tonearms and low quality cabling with primitive cartridges are not suited for real HiFi grade turntables.

XP17 uses the new-shielded low noise toroid and input filter module, like the XP-12. The power supply has an extra stage of RC filtering.  We have lower radiated and mechanical noise.

The XP17 has an all-new input circuit that is symmetrical and lower in noise and distortion with greater drive capability. Noise is the most prominent part of THD+N in the first section of a phono stage. By lowering noise we get better resolution and dynamics.

The Quintet Black is the best example of Quintet’s overall excellence.

The Quintet Black is graced with a Nude Shibata diamond, considered one of the best stylus profiles available, mounted on a high-performance Boron cantilever. The Shibata’s slim, highly polished profile allows an exceedingly wide contact area to the walls of the groove and ensures detailed and pure reproduction thoughout the spectrum, including even the most high frequency groove information.

The Quintet Black will be unfettered by musical genre and will give the closest approach within the Quintet series to Ortofon’s true accuracy in sound.

The tonearm is one of the most important parts of a turntable and therefore not only influences, but also shapes the sound in a specific way. We did in-depth listening tests with different bearing types, tonearm materials and also cartridge combinations to develop the sound we looking for.

Signature 10 is a non-compromise high-end turntable/arm configuration with a sophisticated concept combining mass-loaded with floating turntable principles. Magnetic feet and TPE-pillows decouple the resonance-free metal granulate filled MDF-chassis from surface. The subsequently benefits from a wonderfully resonance-free, heavy platter, that runs ultra-silently on an inverted ceramic ball bearing with magnetic suspension and is also TPE damped. The new 10 single-pivot tonearm is a genuine Pro-Ject design. With its wide range of adjustment possibilities and the choice of adequate counterweights, nearly all cartridges can be mounted. Signature 10 is an audiophile marvel, that represents our championship in precision engineering and our deep love for music!

The twin chassis XP-27 eclipses the already exceptional performance of the well-reviewed and well-received XP-15, XP-25 & XP-17: delivering enhanced RIAA performance at a fraction of the previous distortion.  The new design uses double shielded low noise toroidal transformers in external supply connected via aviation grade circular connectors using silver over oxygen free copper.

The Xs Phono preamplifier represents an all-out assault on the state-of-art in Vinyl and the most intensive and difficult design effort made at Pass Laboratories. The final product of this massive effort extracts the utmost performance from a simple topology  and operates with the extremely small and delicate signals coming from today\'s wide variety of phono cartridges. The result is music that emerges from a quieter background and blooms into a richer, more precise soundstage.

The tonearm is one of the most important parts of a turntable and therefore not only influences, but also shapes the sound in a specific way. We did in-depth listening tests with different bearing types, tonearm materials and also cartridge combinations to develop the sound we are looking for.

The Xtension 10 Evolution is an ideal turntable for those searching for excellent sound quality. It incorporates all the quality attained from our 20 years of experience in turntable design. The Xtension 10 chassis is made from MDF filled with metal sand, with high mass and ultra-low resonance. Magnetic feet, which decouple the main plinth from its base, are combined with a weighty 22kg total turntable mass. The result is a unique combination of \'mass loaded\' and \'floating turntable\' design principles.

The tonearm is one of the most important parts of a turntable and therefore not only influences, but also shapes the sound in a specific way. We did in-depth listening tests with different bearing types, tonearm materials and also cartridge combinations to develop the sound we are looking for.

The tonearm is one of the most important parts of a turntable and therefore not only influences, but also shapes the sound in a specific way. We did in-depth listening tests with different bearing types, tonearm materials and also cartridge combinations to develop the sound we are looking for.

The C-57’s configuration provides a fully balanced phono equalizer from input to output. The combination of a high precision equalizer amplifier and a dedicated MC/MM head amplifier fully optimized for the cartridge characteristics creates a highly accurate phono equalizer. As a first, the MC head amplifier uses ANCC to further improve noise performance. Dedicated MC phono balanced inputs allow for balanced connections with record players. The C-57 combines only the best technological advances to extract the full potential of analog discs.

The Cadenza Bronze model is using a Replicant 100 stylus and a conical aluminium cantilever. The coil wire is the famous Ortofon Aucurum wire, which is a gold plated 6NX copper wire. The Field Stabilizing Element (FSE), is used for optimal linearity especially during complex crescendo passages.
Cadenza Bronze is a true high-end reference cartridge, conveying music with supreme precision, impact and dynamics. Its stereo imaging capabilities illuminate the farthest corners of the soundstage in all three dimensions.

The Cadenza Black model is using a Nude Shibata stylus with a boron cantilever. The effective mass of the stylus and cantilever system is extremely low due to the use of a very thin boron rod. This material is extremely stiff and even more lightweight than aluminium.

It also uses the WRD/Wide Range Damping-system applied for MC Windfeld, MC A90, MC Anna, Xpression), controlling the high and low frequency damping separately.

The coil wire is the famous Ortofon Aucurum wire, which is a gold plated 6NX copper wire.

Cadenza Black is optimized for an amazing tonal neutrality, dynamics and purity of sound. It is high performing on areas like detail, consistency and sound staging.