With the design of The CLEARWATER, it was our intention to produce the best match between quality and price.

An original Chord Company design, built specially for us. We wanted a high performance cable at an affordable price that still adheres to our exacting standards. A consistent What Hi-Fi? Awards-winner 2015-2021, so it looks like we succeeded!

The only high-performance audio grade Australian/New Zealand power connector currently available. Full local approval, this is the connector you want on the end of your high quality power cables for your audio & AV systems!

The design aim of The SNOWLINE was to produce a very affordable twin lead loudspeaker cable with a good sonic quality despite its low price.

Using the same design principles of our premium architectural and box speaker lines, the all new Klipsch Custom series delivers true Klipsch sound to any budget. The CS-16C II features a 6.5” Polymer woofer and a 1” Polymer tweeter. Utilizing the Klipsch Patented Skyhook® Tool-Free Installation System by Swarm technology, your install time is reduced by 75%.

Sold as a single speaker, contact us to order

IsoTek offers a range of class leading power cables to accompany its range of advanced power conditioners and sine wave generators. Borne from an ethos of only using the finest grade components and materials the new EVO3 power cables offer unrivalled performance and every level. All cables feature high purity copper which is then silver plated. Insulation or dielectric is of the highest grade FEP Teflon. Each cable, from the now multi-award winning Premier features solid copper 24ct gold termination.

EVO3 Initium is IsoTek’s new entry level power cable designed to offer high quality performance at an extremely fair price. Initium is a must for replacing all of your free standard black plastic power leads which have been designed down to a price not up to a quality.

“Offers insight into the way the instruments are being played. That is rare at this price”

Silver Anniversary-XT has been specifically designed as the natural replacement for the multi-award winning Silver Anniversary speaker cable. Combining the features of Silver Anniversary with the added enhancement of X-Tube™ technology to combat the skin effect and deliver stunning detail.

Why grey screens ?

The concept of the grey screen was first introduced by Stewart Filmscreen with their Grayhawk product in 2001, and grey screens have become immensely popular ever since.

Grey screens are often called high contrast screens because their purpose is to boost contrast on digital projectors in viewing rooms that are not entirely dark. The grey screen absorbs ambient light that strikes it better than a white screen does. In so doing the black level on the screen is maintained. This works because, assuming the projector has ample lumen output as most digital projectors do, whites remain satisfyingly white while blacks are maintained at a deeper black. The net effect is to increase the contrast range of the image on the screen.

Why grey screens ?

The concept of the grey screen was first introduced by Stewart Filmscreen with their Grayhawk product in 2001, and grey screens have become immensely popular ever since.

Grey screens are often called high contrast screens because their purpose is to boost contrast on digital projectors in viewing rooms that are not entirely dark. The grey screen absorbs ambient light that strikes it better than a white screen does. In so doing the black level on the screen is maintained. This works because, assuming the projector has ample lumen output as most digital projectors do, whites remain satisfyingly white while blacks are maintained at a deeper black. The net effect is to increase the contrast range of the image on the screen.

QR 1, the new bookshelf model, offering today’s most advanced technology in a perfectly finished compact package.

Bluetooth® compatible 5.1-channel AV receiver with fully discrete configuration and high-quality DACs.

• 5-channel powerful surround sound
• 70 W per Channel (6 ohms, 20 Hz-20 kHz, 0.09% THD, 2-ch driven)
• 100 W per Channel (6 ohms, 1 kHz, 0.9% THD, 1-ch driven)
• 135 W per Channel (6 ohms, 1 kHz, 10% THD, 1-ch driven)
• HD Audio with CINEMA DSP
• YPAO™ sound optimisation
• Bluetooth with Compressed Music Enhancer
• HDMI® (4 in / 1 out) with Dolby Vision™ and Hybrid Log-Gamma

Why grey screens ?

The concept of the grey screen was first introduced by Stewart Filmscreen with their Grayhawk product in 2001, and grey screens have become immensely popular ever since.

Grey screens are often called high contrast screens because their purpose is to boost contrast on digital projectors in viewing rooms that are not entirely dark. The grey screen absorbs ambient light that strikes it better than a white screen does. In so doing the black level on the screen is maintained. This works because, assuming the projector has ample lumen output as most digital projectors do, whites remain satisfyingly white while blacks are maintained at a deeper black. The net effect is to increase the contrast range of the image on the screen.

This is a 100" Pure 16:9 Projector Screen.

Beware of  other converted  100 inch 16:9 Projector Screen, it is about only 91 inch  when it is converted  from 4:3 format.

With nine channels of amplification, up to four independent subwoofers, Dolby Atmos and DTS:X, plus IMAX Enhanced and Auro 3D, the AVC-X3800H envelops larger living spaces in theatre-quality sound. Enjoy amazing 8K video quality and with HEOS® built-in, wirelessly stream and share online music between rooms.

This is a 150" Pure 16:9 Projector Screen.

Beware of  other converted  150 inch 16:9 Projector Screen, it is about only 136 inch  when it is converted  from 4:3 format.

While some companies compete to create the world’s most expensive hi-fi, others are producing good quality equipment at prices that make them genuine bargains. It’s easy to put together an affordable system that really works. We know how good these systems can sound and the Clearway cable range has been designed to offer cables with level of performance to match.

Why grey screens ?

The concept of the grey screen was first introduced by Stewart Filmscreen with their Grayhawk product in 2001, and grey screens have become immensely popular ever since.

Grey screens are often called high contrast screens because their purpose is to boost contrast on digital projectors in viewing rooms that are not entirely dark. The grey screen absorbs ambient light that strikes it better than a white screen does. In so doing the black level on the screen is maintained. This works because, assuming the projector has ample lumen output as most digital projectors do, whites remain satisfyingly white while blacks are maintained at a deeper black. The net effect is to increase the contrast range of the image on the screen.

This is a 130" Pure 16:9 Projector Screen.

Beware of  other converted  130 inch 16:9 Projector Screen, it is about only 118 inch  when it is converted  from 4:3 format.

Contour 30 steps it up a notch from the 20. Of course, it still treads the same path – one of honesty, transparency and sheer entertainment, but it puts it all in a bigger package.

Like the rest of the new Contour i family, the 30i has the all-new Esotar 2i tweeter – complete with the Hexis inner dome found throughout our flagship Confidence range and also in the Core series of professional studio reference monitors (trickle-down tech is an amazing thing, isn’t it…). Esotar 2i also gets a new, larger rear chamber. This, together with Hexis, helps to reduce unwanted resonances and smooth out the frequency response for even clearer, sweeter high-frequencies.