Contour 30 steps it up a notch from the 20. Of course, it still treads the same path – one of honesty, transparency and sheer entertainment, but it puts it all in a bigger package.

Like the rest of the new Contour i family, the 30i has the all-new Esotar 2i tweeter – complete with the Hexis inner dome found throughout our flagship Confidence range and also in the Core series of professional studio reference monitors (trickle-down tech is an amazing thing, isn’t it…). Esotar 2i also gets a new, larger rear chamber. This, together with Hexis, helps to reduce unwanted resonances and smooth out the frequency response for even clearer, sweeter high-frequencies.

Help has arrived for owners of LINN, Devialet or McIntosh amplifiers (and many more) with those difficult-to-access IEC sockets. The Furutech FI-C15 High End Performance IEC connector with its slim design will fit those frustratingly space restricted IEC sockets with ease.

High sound quality, easy operation and featuring Pure Direct, Intelligent Digital Servo, USB compatibility and both digital and analogue outputs. The CD-S303 makes a fine source device for any system also featuring Yamaha\'s stereo or surround amps.

Yamaha NS-IC600 are an 6-1/2" coaxial ceiling speaker with cone woofer, fluid-cooled soft-dome swivel tweeter, 110W power handling, horn-shaped acoustic baffle and thin, light grille.

Onkyo builds on the success of its A-9010 pre-main amp with the new A-9110 Integrated Stereo Amplifier, a component that refines an original amp design that’s won an excellent critical and commercial reputation for dynamic, musical sound. Lively dynamics, deep bass, and layered detail emerge from warm and expressive tuning. WRAT delivers high-current power stability via large custom capacitors, while low-NFB amps capture the depth and spatiality of analog and hi-res recordings. Five RCA inputs including the MM phono stage connect your sources while high-quality speaker-posts reveal Onkyo’s hi-fi heritage and careful attention to detail.

This is a 100" Pure 16:9 Projector Screen.

Beware of  other converted  100 inch 16:9 Projector Screen, it is about only 91 inch  when it is converted  from 4:3 format.

Radiance Series

Our new Radiance Series racks offer both stabilities and style, heavy duty weight handling per shelf, shelves are available with 3 different colours.

EVO3 Sequel power cable offers increased performance over IsoTek’s  multi-award winning Premier, featuring optimised conductor strand  geometry and active shielding.

High Performance IEC Inlet

Available in gold or rhodium-plated

Visualax Screens are designed to optimise the home theatre experience.

Advanced technology of micro and dense optical structure, which displays a sharper and higher resolution level through improved reflection of the projected light.

Aluminium alloy frame covered with velvet, change fabric easily.

Suitable for use in home theatres, also for use in scientific research institution, government institution, command centre, casino place or other entertainment sites.

Those looking for the ultimate in CD playback from an audiophile-grade component will be impressed with a high-precision, multi-bit D/A converter and 128 x oversampling. Others looking for convenience will thrill at the sight of 6-disc capability, 6 repeat modes, 40 track programming—and no worries about interruptions to your music, with the ability to change 5 discs while the last one is still playing.

Add a fabulous fixed frame projection screen to your home. It will be the main "show" in your family room or home theatre!

Just like the TV wall mount, this fixed projector screen will make any room special and inviting. There\'s no comparison between our projector screen and run-of-the-mill pull-down or motorised projection screens. With the differences, there are many pluses.

The HDMI Ultimate 4K is the proud result of the design challenge to build the ultimate HDMI™ interface cable which leaves all others behind.

Radiance Series

Our new Radiance  Series racks offer both stabilities and style, heavy duty weight handling per shelf, shelves are available with two colours.

If a pair of Evoke 50s in a room doesn’t say “statement of intent”, we don’t know what does. Use them in stereo. Use them as part of an Evoke multi-channel home cinema system. However you listen to them, the word ‘epic’ won’t be far from your lips.

Evoke 50 is a full three-way floorstander with a 28mm soft-dome tweeter, a 15cm neodymium midrange driver and twin 18cm woofers.

Multifuser DC3 is a bi-dimensional diffusion panel upgraded from famed DC2 with built-in holder rips so it can be installed to a wall with a VicFix fixation system, using VicFix Mini (supplied) or VicFix J Profile 2m. It continues to be compatible with Flexi Glue Ultra, which is required for ceiling installation.

This is a 120" Pure 16:9 Projector Screen.

Beware of  other converted 120inch  16:9 Projector Screen, it is about only 110inch  when it is converted  from 4:3 format.

From the middle of the 1990s, only a handful of years after Pro-Ject Audio Systems was founded and right at the peak of CD’s popularity, we could already see the growing number of people missing analogue music. In 1998 Heinz Lichtenegger and his UK distributor and longtime friend, Laurence Armstrong, were sitting together dreaming of a record player that would make analogue sound accessible to more people. They wanted a new model that could deliver as close to high-end sound as possible, but at a price that a new younger generation could afford. Thanks to their dear friend and ProJect’s original product manager, Jiri Kroutil, within only a few days they had a sample and the Debut was born.

Add a fabulous fixed frame projection screen to your home. It will be the main "show" in your family room or home theatre!

Just like the TV wall mount, this fixed projector screen will make any room special and inviting. There\'s no comparison between our projector screen and run-of-the-mill pull-down or motorised projection screens. With the differences, there are many pluses.

Why grey screens ?

The concept of the grey screen was first introduced by Stewart Filmscreen with their Grayhawk product in 2001, and grey screens have become immensely popular ever since.

Grey screens are often called high contrast screens because their purpose is to boost contrast on digital projectors in viewing rooms that are not entirely dark. The grey screen absorbs ambient light that strikes it better than a white screen does. In so doing the black level on the screen is maintained. This works because, assuming the projector has ample lumen output as most digital projectors do, whites remain satisfyingly white while blacks are maintained at a deeper black. The net effect is to increase the contrast range of the image on the screen.