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Nordost Tyr 2 Speaker Cables

$9,359

Norse 2 Series loudspeaker cables deliver a level of performance not previously possible at their price points. Nordost’s proprietary Micro Mono-Filament construction creates a virtual air dielectric complete with an elegantly engineered suspension system. When combined with silver-plated OFC solid core conductors and extruded, flat ribbon FEP insulation, the result is the ideal electrically and mechanically controlled construction for ultra-fast, low-loss signal transfer between amplifier and loudspeakers.

*Available in Gold-plated Spade or Z-plug Banana*

Martin Logan IC3 In-Ceiling Speaker

$349

The IC3 in-ceiling speaker is the perfect blend of performance and lifestyle. A novel woofer design, molded directly on to the speaker\'s chassis, maximizes woofer size for incredible performance in an extremely small size. IC3 is perfect for any application where a discrete solution is ideal-from a hallway or kitchen to Atmos channels in a home theater. Frequency Response 100-20,000 Hz Sensitivity 88dB

Martin Logan Edge In-Wall Speaker

$3,499

The world\'s most sophisticated and elegant architectural loudspeaker, Edge sounds so clean and dynamic, you\'d think it were a superb standalone design. Not surprising, since it borrows so much from our own, including Folded Motion XT drivers and aluminum cone, high-resolution woofers. A rigid aluminum chassis and die-cast mounting locks enhance performance and ease installation, while an rotatable tweeter and bezel-less magnetic grille provide incredible adaptability into any installation. Frequency Response 42-25kHz ±3dB Sensitivity 95 dB/2.83 volts/meter

Martin Logan BalancedForce 212 Powered Subwoofer

$10,999

Building on the groundbreaking technology of the original Descent, BalancedForce 212 incorporates new features and enhancements that simplify system integration while improving performance. Its signature two-driver, force-canceling configuration virtually eliminates bass-blurring cabinet resonance. And each rugged, custom-built aluminum-cone driver is driven by sophisticated DSP-based, high-power amplifiers. The result is dynamic, unrestrained output to the very lowest frequencies, yet with clarity and definition approaching that of electrostatic transducers.

Ortofon Hi-Fi SPU 1 E... Ortofon Hi-Fi SPU 1 E...
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Ortofon Hi-Fi SPU 1 E Moving Coil Cartridge

$974 $1,299

These SPU cartridges embodies the essence of the original Moving Coils and are a perfect solution for the playback of both early and modern and contemporary stereo recordings.  Excellent price-to-performance ratio.

Perfect solution for the playback of stereo recordings
The SPU #1 models, with their universal connector, ensure the ability to mount the units in a wider range of tonearms with universal (SME) mount, e.g. Ortofon TA-110 and TA-210 tonearms. The combination of SPU #1, ST-7 Moving Coil transformer and TA-110/TA-210 tonearms gives a supreme experience.

With their linearity and full bodies, the SPU #1 models are a perfect solution for the playback of stereo recordings. 

IsoTek SMART Power Theta Controllable Power Conditioner

$6,699

SMART Power

Power cleaning with full programmability

IsoTek SMART Power combines the company’s power cleaning know-how with full programmability. Three models, Alpha, Delta and Theta offer custom installers power management and safety control through RS232, LAN and over WiFi through a secure online interface and dedicated codex for Control 4 and Crestron.

Solidsteel HY-2L Hi-Fi Rack

$2,299

The most accessible hi-fi rack from the Hyperspike series just got better. The HY-2L is a wide two-shelf modular audio rack that\'s perfect for high-performance systems. The sturdy four-pillar design and stainless steel hardware make this rack a fine addition to your high-end audio system.

The HY-L range of racks is wider than the standard HY range of shelves. This range is designed to comfortably support wider turntables and equipment.

Visualax 130" Fixed Frame Zero Edge Grey Projector Screen 16:9

$700

Why grey screens ?

The concept of the grey screen was first introduced by Stewart Filmscreen with their Grayhawk product in 2001, and grey screens have become immensely popular ever since.

Grey screens are often called high contrast screens because their purpose is to boost contrast on digital projectors in viewing rooms that are not entirely dark. The grey screen absorbs ambient light that strikes it better than a white screen does. In so doing the black level on the screen is maintained. This works because, assuming the projector has ample lumen output as most digital projectors do, whites remain satisfyingly white while blacks are maintained at a deeper black. The net effect is to increase the contrast range of the image on the screen.