The Purple Flare 2.0 Data Cable is the perfect solution for hifi audio enthusiasts trying to accommodate DACS, especially ones that require micro-B or mini-B connectors. This purpose built USB cable consists of four silver-plated, OFC conductors encased in high performance FEP using Nordost’s innovative extrusion process.
*Availabe in Standard Type A USB 2.0 to Standard A, Standard B, Micro-B, or Mini B*
The TRV - 100 is a pre-amplifier of high quality with eight high-level-inputs and two separately switchable outputs. Two of the eight inputs as well as one output are supplied in symmetrical design. The inputs 7 and 8 can also be used as input for a tape-recorder because there are also two record-outputs belonging to these two inputs.
For the first time, experience ultra-dense sound with physical impact. A power, clarity, and preciseness unlike anything you have ever heard before.
Solo, duo ou multi-room, Phantom plays your music via Wi-Fi or Bluetooth. Let the best sound in the world enter your home
Turn any subwoofer with RCA inputs into a wireless subwoofer with this transmitter/receiver kit. Although correct placement plays a key role in optimizing subwoofer performance, sometimes it imposes the inconvenience (not to mention unsightliness!) of running long lengths of cable through walls, along baseboards or under floors and carpets. To solve the problem, you can make any subwoofer wireless with our SWT-2 kit (digital RF transmission), making cable clutter a moot point!
With its very slim, stylish and elegant design, the TRIGON TRE 50 M mono power amplifier is preferably placed close to the loudspeaker. The over-dimensioned power supply feeds the symmetrically configured amplifier featuring extremely short signal paths. All protection circuit topology is outside of the signal paths.
This ingenious design results in a straightforward gain amplification of symmetric or asymmetric input signals, largely preventing the loudspeaker from taking on “a life of its own”. The TRE 50 M is a true understatement in amplifier design. For added convenience it offers a clearly legible LED display and advanced trigger options.
What’s compact, and fires down or front, if you want it to? The DSWPRO440wi. Put it in a corner, or inside a cabinet. No other subwoofer gives you the placement flexibility of this smart, powerful subwoofer. It’s the easiest way to add deep bass excitement to any system, including a compact speaker array or a sleek SurroundBar® installation.
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This is designed specifically for the stereo transmission of line level analogue or digital balanced audio signals. This product utilises design concepts from the Audio phono interconnect such as oxygen-free silver plated conductors and 24k gold plated connectors. This cable is ideal for connecting high-end Digital to Analogue Converters to your amplifier or receiver using the AES3 connector.
Designed specifically for audio-visual applications and utilizing the already highly praised Mira circuit, Mini Mira’s unique ‘Triple Resonance Filter©’ improves performance and protection for CRT, LCD, LED and plasma screens, and is also fully compatible with projectors.
Marantz MM8077 7 Channel Power Amplifier delivers exceptional multichannel surround sound with increased operating stability, low distortion, improved instant power supply capability and 7 x 150 Watts of power at 8Ω. The Marantz MM8077 successfully delivers subtle nuance of your music and thrilling movie soundtrack performance.
The TARA Labs Apollo digital audio cable is an excellent choice of digital cable for a wide range of components. Why do digital cables sound different or possible better? The most significant reason for the different sound in digital recording and playback systems is the phenomenon of "errors". The most widely known error is called "jitter".
• Output Level : 2V RMS
• Frequency Response : 20Hz - 20KHz ± 0.25dB
• Total Harmonic Distortion : <0.008%, at 1KHz, 0dBFs
• Signal to Noise Ratio : >95dB, A weighted
• Digital Outputs : "Toslink" Optical
• Mains Supply : 110/120V or 220/240V, 50/60Hz (factory set)
• Power Consumption : <15W
• Dimensions - H x W x D : 90mm x 440mm x 300mm
• Nett Weight (unpacked) : 5kg
• Gross Weight (packed) : 7kg
The Ultimate in AC Powercord Performance
Ultra High Current #6 Gauge Cryo-Alloy™ Conductors
Velocity-Matched Teflon Dielectric Insulation
Advanced Noise Suppression
Refined Musical Presentation
Rhodium/Platinum over Tellurium Copper AC Plug & IEC Connectors
Certificate of Authenticity with Serial Number in Hard-Shell Case
Handcrafted in the USA
AC Power Connector Australia / New Zealand.
Type: 2-Pole + Earth Rating: 10A/250V
Pure copper a (Alpha) Conductor Earth (Ground) Jumper System.
Material: Nylon/fiberglass front body Polycarbonate shell
Specifications: Accommodates cable diameters of 6.6mm to 20.0mm
Dimensions: Body length 40.0mm x 44mm diameter x 80mm overall length
There\'s a reason Luxman branded PD-151 an "analog player" rather than a turntable. The name reflects the extreme lengths the famed audiophile company went to ensure this premium Japanese-made component addresses the shortcomings that plague even high-end turntables – an approach that effectively places PD-151 in a category of its own. Devised to preserve all the delicate beauty inherent to vinyl playback while offering 33, 45, and 78RPM options, the belt-drive analog player acts to prevent the slight variations in speed that blur pitch and cause veiling; defeat the vibrations that stem from turning up the volume and cause cartridges and other internal parts to transmit ruinous resonance; and ensure optimally smooth rotation, stability, and damping.
VisuaLax 120" Fixed Frame Cinema Excel 16:9 Premium High Contrast Grey TV Cinema Entertainment Projector Screen
Why gray Screens?
The concept of the gray screen was first introduced by Stewart Filmscreen with their Grayhawk product in 2001, and gray screens have become immensely popular ever since.
Gray screens are often called high contrast screens because their purpose is to boost contrast on digital projectors in viewing rooms that are not entirely dark. The gray screen absorbs ambient light that strikes it better than a white screen does. In so doing the black level on the screen is maintained. This works because, assuming the projector has ample lumen output as most digital projectors do, whites remain satisfyingly white while blacks are maintained at a deeper black. The net effect is to increase the contrast range of the image on the screen.